Glossary
(A - C) (D - G) (H - L) (M - Q) (R - U) (V - Z)
H - L
Hair cells (05) |
The tiny sensors of sound in the cochlea. |
Hair cells (31) |
Delicate sound-sensing cells in the organ of Corti that are destroyed by overexposure to noise. |
Harmonic (04) |
The mode of vibration (or component of sound) whose frequencies are whole-number multiples of the frequency of the fundamental mode. |
Harmonic (07) |
A partial whose frequency is a multiple of the fundamental. |
Harmonic distortion (20) |
The creation of harmonics (frequency multiples) of the original signal by some type of nonlinearity in the system (the most common cause is overdriving some component). |
Harmonic minor scale (09) |
A scale with a flatted third and sixth. Example: in the key of C: C, D, Eb, F, G, Ab, B, C. |
Harmonic singing (17) |
Tuning vocal tract resonances to a harmonic of the vocal fold vibration frequency to produce single or multiple tones. |
Harmonics (02) |
Modes of vibration whose frequencies are whole-number multiples of the frequency of the fundamental mode. |
Harmonics (13) |
A series of partials with frequencies that are simple multiples of a fundamental frequency. (In a harmonic series, the first harmonic would be the fundamental, the second harmonic would be the first overtone). |
Harpsichord (14) |
A keyboard instrument in which strings are plucked by mechanical plectra. |
Head voice (17) |
Mode of singing associated with a light mechanism, passive vocalis muscle, and elongated, thin vocal folds. |
Head-related transfer function (HRTF) (29) |
The name given to the filter transfer function that describes the manner in which sounds from particular positions in space are transmitted to the ear canals of a listener, taking into account the relative positions and frequency-dependent shadowing effects of the head, pinnae, nose, etc. |
Heavy mechanism (17) |
Mode of vocal fold vibration in which the vocalis muscles are active, and the vocal folds are thick. |
Helmholtz resonator (02) |
A vibrator consisting of a volume of enclosed are with an open neck or port. |
Helmholtz resonator (04) |
A vibrator consisting of a volume of enclosed air with an open neck or port. |
Helmholtz resonator (10) |
A vibrator consisting of a volume of enclosed air with an open neck or port. |
High-fidelity sound (25) |
Sound that reproduces much of the spectrum, dynamic range, and spatial characteristics of the original sound and adds minimal distortion and noise. |
High-level language (21) |
A computer language that can be used to program a wide variety of computers rather than accessing register of a specific CPU. |
Home theater (25) |
A room designed and equipped for viewing movies as well as listening to music. |
Horn loudspeaker (19) |
A system that uses an acoustic horn to enhance sound radiation from a moving diaphragm. |
Humbucking pickup (10) |
A magnetic pickup with two coils designed to minimize hum caused by stray magnetic fields. |
HVAC (23) |
Heating, ventilating, and air-conditioning system. |
HVAC (23) |
Heating, ventilating, and air-conditioning system. |
Hybrid synthesizer (27) |
Use of a digital computer to control the analog circuitry in a synthesizer; also a synthesizer that combines analog and digital generators or modules. |
The effect of past history on the magnetic state of a material; when a magnetic field is applied momentarily and removed, the material does not revert to its original state. Magnetic hysteresis may be described by a hysteresis loop, a graph of magnetization versus applied magnetic field. |
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IIC (impact isolation class) (32) |
A number that describes the effectiveness of a ceiling-floor structure in attenuating impact sound. |
Impedance (12) |
The ration of the pressure to the velocity in a sound wave. |
Impedance (18) |
A measure of the opposition to the flow of electric current by a circuit element such as a resistor, capacitor, or inductor. Impedance is measured in ohms. |
Impedance (19) |
The ratio of voltage to current. The relevant current, in the case of source impedance or output impedance, is the current that the device can deliver; in the case of input impedance, it is the current that the device draws from the source. |
Impedance (20) |
The ratio of voltage to current. The relevant current, in the case of source impedance or output impedance, is the current that the device can deliver; in the case of input impedance, it is the current that the device draws from the source. |
Impulsive wave (03) |
A brief disturbance or pressure change that travels as a wave. |
Inductor (18) |
A device that stores energy by creating a magnetic field, usually within a coil of wire. |
Infinite baffle (19) |
A large baffle or an enclosure that prevents interference between sound radiated from the front and back of the speaker cone. |
Infrasonic (32) |
Having a frequency below the audible range. |
Inharmonic overtones (09) |
Overtones whose frequencies are not multiples of the fundamental (i.e., harmonics). |
Inharmonic partial (07) |
A partial that is not a harmonic of the fundamental. |
Inharmonic partials (13) |
Overtones or partial that are not harmonics of the fundamental. |
Inharmonicity (14) |
The departure of the frequencies of partials from those of a harmonic series. |
Initial time delay (ITD) (25) |
The time difference between the arrival of the direct sound and the first reflected sound at the ear. |
Input-output (I/O) (21) |
The portion of a computer that deals with transferring information into or out of the computer’s memory. |
Intensity (05) |
Power per unit area. The intensity of a sound wave is proportional to the square of the sound pressure. |
Intensity (06) |
Power per unit area; rate of energy flow. |
Intensity level (06) |
LI=10logI/I0, where I is intensity and I0 = 10^-12 W/m^2. |
Intercostal muscles (17) |
Muscles joining the ribs that are used for breathing. |
Interference (03) |
The interaction of two or more identical???? Waves which may support (constructive interference) or cancel (destructive interference) each other. |
Interleaving (22) |
A means for rearranging recorded data to minimize the loss of information due to playback errors. |
Intermodulation (IM) distortion (20) |
The creation of sum and difference frequencies from signals of two different frequencies. |
Internal (expiratory) intercostals (17) |
Intercostal muscles used to breath air out from the lungs. |
Interpreter (21) |
A computer program that translates statements in a computer language into machine instructions that are carried out one by one as soon as each statement is complete. |
Refers to the degree of accuracy with which pitches are produced. |
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Jack (14) |
A device in piano and harpsichord actions that moves up and down when a key is pressed. In the piano, the jack sets the hammer in motion; in a harpsichord, it carries the plectrum. |
Joule (01) |
A unit of energy or work; one joule is equal to one Newton-meter, also one watt-second. |
Just intonation (09) |
A system of tuning that attempts to make thirds, fourths, and fifths as consonant as possible; it is based on major triads with frequency ratios 4:5:6. |
The minimum change in stimulus that can be detected. |
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Kerr magneto-optical effect (22) |
Rotation of the plane of polarization of light upon reflection from a magnetic material. The direction of rotation indicates the direction of the magnetization. |
Energy of motion; the capacity to do work by virtue of that motion; equal to one half mass times velocity squared. |
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Labial (14) |
A flue pipe. |
Laminar flow (14) |
Fluid flow in which entire layers have the same velocity. |
Languid (14) |
A plate that partially blocks an organ pipe and forms one side of the flue. |
Larynx (15) |
The section of the vocal tract, composed mainly of cartilage, that contains the vocal folds. |
Larynx (17) |
The source of sound for speaking or singing. |
Lay (12) |
The slightly curved portion of a clarinet or saxophone mouthpiece that faces the reed. |
Light mechanism (17) |
Mode of vocal fold vibration in which the vocalis muscles are relaxed, and the vocal folds elongated and thin. |
Linear (27) |
A function or characteristic that varies in direct proportion to a control signal. In a typical linear control characteristic, an increase of 1 V adds a fixed amount to some parameter such as frequency. |
Linear prediction (29) |
A set of mathematical techniques designed to predict how a digital signal will behave based on a weighted sum of its most recent N values. The weights used in forming this sum are called prediction coefficients. |
Linear predictive coding (LPC) (16) |
Describing a speech waveform in terms of a set of time-varying parameters derived from speech samples. |
Linear scale (05) |
A scale in which moving a given distance right or left adds or subtracts a given increment. |
Linear superposition (08) |
Addition of two waves applied simultaneously to a linear system. |
Linewidth (04) |
The width delta ƒ of a resonance curve, usually measured at 71% of its maximum height; a measure of the sharpness of a resonance (a sharp resonance is characterized by a small linewidth). |
Lingual (14) |
A reed pipe. |
Live-end, dead-end (LEDE) (25) |
A control-room design philosophy that makes the front half of a control room absorptive and the back half diffusive. |
Localization (05) |
The ability to determine the location or direction of a sound source. |
Logarithm (of a number) (05) |
The power to which 10 (or some other base) must be raised to give the desired number. |
Logarithmic scale (05) |
A scale on which moving a given distance right or left respectively multiplies or divides by a given factor. |
Logic gate (26) |
A digital electronic circuit that has one or more binary (i.e., two-valued) inputs and one or more binary outputs. Output values are determined by logical operations such as AND, OR, and NOT. |
Longitudinal vibration (02) |
Vibration in which the principal motion is in the direction of the longest dimension. |
Longitudinal wave (03) |
A wave in which the vibrations are in the direction of the propagation of the wave; example: sound waves in air. |
Looping (29) |
The process of extending the duration of a digitally recorded sound by repeatedly outputting a portion of it. |
Loudness (06) |
Subjective assessment of the “strength” of a sound, which depends on its pressure, frequency, and timbre; loudness may be expressed in sones. |
Loudness level (06) |
Sound pressure of a 1000 Hz tone that sounds equally loud when compared to the tone in question; loudness level is expressed in phons. |
Low-level language (21) |
A computer language, such as assembly, designed to access the individual registers of a CPU. |







